I know I have been neglecting my cultural life tooooooooooo long!!
I can't remember when was the last time visiting a museum. BUT! I can't ignore these big exhibitions. If I don't see these exhibitions, my inner civilized me would blubber.
Especially for Lenoardo da Vinci, I hope I can visit The Getty Center as many times as possible.
@ the getty center
Drawings by Rembrandt and His Pupils: Telling the Difference
December 8, 2009–February 28, 2010
Distilling over 30 years of scholarly research, this major international loan exhibition presents a singular opportunity to explore the differences between Rembrandt's drawings and those of more than 14 pupils and followers. In carefully selected pairings of celebrated drawings by Rembrandt and his pupils, the exhibition outlines these artistic differences and sheds light on the art of drawing in Rembrandt's circle and the vibrant creative life within the master's studio.
Leonardo da Vinci and the Art of Sculpture: Inspiration and Invention
March 23–June 20, 2010
The first display of works by Leonardo da Vinci in Los Angeles in decades, this major international loan exhibition celebrates his achievements and involvement in the art of sculpture. Through original drawings, the exhibition explores his ambitious designs for huge equestrian sculpture projects that were never completed. Important works by artists who inspired Leonardo—and were inspired by him—are also on view, including Donatello's newly restored Bearded Prophet and three larger-than-life-size bronze figures by Leonardo's collaborator Giovanni Francesco Rustici that have never been seen outside Italy. The exhibition is organized by the High Museum of Art, Atlanta, in association with the J. Paul Getty Museum.
@LACMA
Renoir in the 20th Century
February 14–May 9, 2010
Renoir in the 20th Century focuses on the last three decades of Renoir’s career, when, following his rupture with impressionism, he turned to an art that was decorative, classical, and informed by a highly personal interpretation of the Great Tradition. Renoir’s paintings from this period, which have never been studied and shown as such, are often misunderstood as they do not fit comfortably into the history of high modernism. This exhibition is the first monographic study dedicated to Renoir since the comprehensive retrospective of 1985 at the Galeries nationales du Grand Palais in Paris, and the first one ever mounted by the Los Angeles County Museum of Art. Offering an unprecedented look at Renoir through the lens of modernism, the exhibition bridges the divide that exists in many people’s minds between art of the nineteenth and the twentieth centuries.
Thursday, November 5, 2009
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